 |
|
| Complete 44.1kHz (WAV) |
$20.00 USD
Digital Delivery |
|
|
| Complete 96kHz (WAV) |
$40.00 USD
Digital Delivery |
|
|
2-Disc Set (CD + DVD)
Redbook CD + Data DVD with 96kHz WAV files |
$40.00 USD
+ Shipping |
|
|
| Interludes Bundle 44.1kHz (WAV) |
$2.50 USD
Digital Delivery |
|
|
| Interludes Bundle 96kHz (WAV) |
$5.00 USD
Digital Delivery |
|
|
| Cover Art JPG: |
| FREE |
 |
| |
|
All Songs by Tim Gorman
Except tracks 1,5,13,23,25
Produced by Tim Gorman
& Stephen Jarvis
Recorded & Mixed by Stephen Jarvis
on the Skywalker Scoring Stage, 2007
Additional ProTools Recording
& Editing Engineers: Judy Kirschner,
Dann Thompson, John Schmipt
& John Greenham
Mastering Engineer: John Greenham
Tim Gorman: Acoustic Piano
Kirk Casey: Acoustic Guitar backing on tracks 5,7,9,11,13,15
Cover & background art by Prairie Prince
Released 2007 on TimTone Productions
Recording equipment & microphones provided by Stephen Jarvis: High-End Audio Consulting Service
Didrik De Geer tube microphones & custom microphone preamp by Manibus Didrik De Geer-Eterna Musicae
High Resolution topology 10x4 line mixer by George Massenburg Labs
Playback electronics, monitoring design and engineering implementation by Tim Marutani: Marutani Consulting
Custom interconnects & microphone cables courtesy of Bruce Brisson: Music Interface Technologies
Acoustic pianos by Bluthner
|
|
CD Quality & Hi Res Downloads - 44.1kHz & 96kHz WAV
| To listen click the arrow below: |
44.1kHz
(WAV)
$1.50 |
96kHz
(WAV)
$3.00 |
| 1. |
Play |
Ashokan Farewell |
|
|
| [3:32] Jay Ungar (Swingin' Door Music, BMI) |
| 2. |
Play |
Interlude #1 |
buy all 11 interludes in the bundle at left! |
| [1:33] Tim Gorman |
| 3. |
Play |
Scotland to California |
|
|
| [3:49] Tim Gorman |
| 4. |
Play |
Interlude #2 |
buy all 11 interludes in the bundle at left! |
| [0:30] Tim Gorman |
| 5. |
Play |
Streets of Laredo |
|
|
| [5:48] public domain |
| 6. |
Play |
Interlude #3 |
buy all 11 interludes in the bundle at left! |
| [0:58] Tim Gorman |
| 7. |
Play |
Tuffy's Diddley |
|
|
| [2:57] Tim Gorman |
| 8. |
Play |
Interlude #4 |
buy all 11 interludes in the bundle at left! |
| [0:43] Tim Gorman |
| 9. |
Play |
My Texas |
|
|
| [4:18] Tim Gorman |
| 10. |
Play |
Interlude #5 |
buy all 11 interludes in the bundle at left! |
| [0:39] Tim Gorman |
| 11. |
Play |
Train |
|
|
| [3:17] Tim Gorman |
| 12. |
Play |
Interlude #6 |
buy all 11 interludes in the bundle at left! |
| [0:29] Tim Gorman |
| 13. |
Play |
Last Date |
|
|
| [4:11] Floyd Cramer Jr. (Sony/ATV Acuff Rose Music, BMI) |
| 14. |
Play |
Interlude #7 |
buy all 11 interludes in the bundle at left! |
| [0:35] Tim Gorman |
| 15. |
Play |
Don't Steer Me Wrong |
|
|
| [3:30] Tim Gorman |
| 16. |
Play |
Interlude #8 |
buy all 11 interludes in the bundle at left! |
| [0:53] Tim Gorman |
| 17. |
Play |
Free Rangin' |
|
|
| [3:04] Tim Gorman |
| 18. |
Play |
Interlude #9 |
buy all 11 interludes in the bundle at left! |
| [0:48] Tim Gorman |
| 19. |
Play |
Wagon Wheel |
|
|
| [3:16] Tim Gorman |
| 20. |
Play |
Interlude #10 |
buy all 11 interludes in the bundle at left! |
| [0:32] Tim Gorman |
| 21. |
Play |
Goodbye Bluejean |
|
|
| [4:13] Tim Gorman |
| 22. |
Play |
Interlude #11 |
buy all 11 interludes in the bundle at left! |
| [1:30] Tim Gorman |
| 23. |
Play |
Sweet Baby James |
|
|
| [6:18] James Vernon Taylor (EMI, Blackwood Music Inc, BMI) |
| 24. |
Play |
Portrait of Jenny |
|
|
| [3:05] Tim Gorman |
| 25. |
Play |
Home on the Range |
|
|
| [4:44] public domain |
The 44.1kHz files and the mp3 samples above were taken from the mastered CD. The 96kHz files were extracted from the mastered DVD.
Files are delivered immediately after payment on the download page and via e-mail. If you have any questions please contact support. Our files are very large and not recommended for those without a broadband internet connection. |
| |
|
"Cowboy has a flow front to back and made use of short interlude pieces between several of the tracks. Listen to the CD while alone reading a book or other quiet activity.
"The album was recorded with just mics. Actually much of the recording was live to two track stereo into Pacific Microsonics Model Two converter producing HDCD masters at 96kHz/24bit. No extra reverb, no EQ, no compression on the 96kHz/24bit masters. Several of the tracks in the middle of the record were recorded with multiple mics mixed live through a GML HRT 9100 line mixer. The CD was mastered through Euphonix/Pacific Microsonics Model Two HDCD converters by John Greenham with very conservative processing."
--Stephen Jarvis, co-producer & engineer
|
